【杂谈】《手机》&《蜗居》——中国当代“双城记”

 

刚刚看完电视连续剧《手机》,这部连续剧号称“王道组合”——王志文和陈道明首次同台对戏,两人片酬都不菲,豪华程度不亚于一部电影大片了。不过我倒不是因为这两个人的出现看上了这部片子,而主要是因为在这部片子的介绍中,着重强调了“揭开知识分子画皮”的字眼,这才让我想一探究竟。

因为很少看连续剧,所以很容易把跟今年看的另一部连续剧《蜗居》联系在了一起,算是今年目前为止看完的“唯二”的两部。仔细一回味,两部之间倒还真有那么点相得益彰的联系。

1.《手机》的故事发生在北京;《蜗居》的故事发生在杜撰出来的“江州”,实则影射上海。

2.《手机》的故事核心是现代人不可缺少的通讯工具——手机;《蜗居》的故事核心是现代人安身立命不可缺少的容身之处——房子。

3.在手机背后,折射出来的是人与人之间的话语关系;在房子背后,折射出来的是人与人之间的利益关系。

4.上海是金融中心,用人与人之间的利益关系来反映现实,最是能触到痛处;北京是政治文化中心,用人与人之间的话语关系(其实就是一种纯粹的关系)来反映现实,一方面表现出了对那种人际利益关系的提纯,另一方面表现出了现代生活对人际关系的更深层次异化。

5.《蜗居》中刻画的大人物是官员,小人物是白领和城市打工者;《手机》中刻画的大人物是主持人、教授,小人物是农民。从人物角色的广度上看,《蜗居》聚焦城市,《手机》一剧则把目光放到了城乡二元对立上来。

从人物类型上看,与《蜗居》中的大小人物所密切相关的都是经济利益,故事也围绕这些利益来刻画情感的异化。而《手机》中的人物则更关注精神层面的满足,主持人、教授、农民,在剧中各自的生活中,是没有物质匮乏也没有利益冲突的,有的是精神的空虚。

6.尽管有话题及立意上的巨大差别,二者却都狠狠地触到了现代社会的痛处。看《蜗居》,你会觉得更残酷些,因为《蜗居》赤裸裸地将利益摆上台面。看《手机》,你可能感觉到的更多的是压抑,因为《手机》把人与人之间关系的异化埋伏在了剧中。

我不知道后者的编剧是不是有意,但我明确感觉到一点,那就是《手机》和《蜗居》,中国社会的两面镜子,真可称上电视剧中的中国当代“双城记”。嘿,有点像义务打广告,打就打了呗。

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